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Choral Piece of the Day, Installment 60: "From Silent Night" (Dowland/Hoffman) Arranged for SATB Quartet or Chorus, Treble Viol or Viola, Bass Viol or Violoncello, and Lute or Guitar (2024)

Writer's picture: Stanley M. Hoffman Stanley M. Hoffman

Choral Piece of the Day, Installment 60:

"From Silent Night" (Dowland/Hoffman)

Arranged for SATB Quartet or Chorus,

Treble Viol or Viola, Bass Viol or Violoncello,

and Lute or Guitar

(2024)


One of the saddest and most remarkable love songs of all time, "From Silent Night" by John Dowland is newly arranged here with Alto, Tenor, and Bass choral parts added. Some of the lowest octave passages in the Lute (Guitar) part are transposed up an octave to better match the new arrangement. The Treble and Bass Viol parts may be played by Violin and Violoncello, respectively.


This title is available for sale from Sheet Music Plus.

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Follow the next URL to listen to a synthesized rendition of this work.


TEXT


From silent night, true register of moanes,

From saddest Soule consumde with deepest sinnes,

From hart quite rent with sighes and heavie groanes,

My wayling Muse her wofull worke beginnes.

And to the world brings tunes of sad despaire,

Sounding nought else but sorrow, griefe and care.


Sorrow to see my sorrowes cause augmented,

and yet lesse sorrowfull were my sorrowes more:

Griefe that my griefe with griefe is not prevented,

for griefe it is must east my grieved sore.

Thus griefe and sorrow cares but how to grieve,

For griefe and sorrow must my cares relieve.


If any eye therefore can spare a teare

to fill the well-spring that must wet my cheekes,

O let that eye to this sad feast draw neere,

refuse me not my humble soule beseekes:

For all the teares mine eyes have ever wept

Were now too little had they all beene kept.





 
 
 

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